Tao by Matsumoto

  松  本  乃  道

Index
About
Contact
1. Gateway
2. Do not judge
3. Do Nothing
4. Tao's function
5. Hologram
6. Valley God
7. No Self
8. Be like Water
9. Don't Stay
10. Magic words
11. 30 spokes
12. Five Colours
13. Love Trouble
14. Tao is evasive
15. Man knew Tao
16. Go Back
17. Best way
18. Tao no use
19. Cleverness
20. Eat mother
21. Tao/essence
22. Return to Tao
23. No Noise last
24. Don't show off
25. Manifestation
26. Root
27. Love all
28. Uncarved block
29. A god's vessel
30. Result
31. Arms
32. Nameless
33. Self
34. State
35. Big's image
36. Reverse way
37. No desire
38. High attain
39. One
40. Laughable
41. Tao's move
42. 1-2-3
43. No existence
44. Attachment
45. Perfection
46. Be content
47. No outside
48. Reduce
49. No heart
50. Life
51. Attainment
52. Enlightenment
53. Thief's luxury
54. Learn Attain
55. Baby is safe
56. One with Tao
57. Intelligence
58. Government
59. Attain & cycle
60. Control
61. Country
62. Treasure
63. Use Tao
64. Easy
65. Integration
66. Lower yourself
67. Send Love
68. No fight
69. Enemy
70. Actor
71. Knowing
72. Fear
73. Heaven's net
74. Reincarnation
75. Starvation
76. Soft & weak
77. No excess
78. Resistance
79. Grudge
80. Small country
81. Summary
Glossary
Site Map
Link
Watch Today's Tao Video! Everyday a new entree!
Tao Te Ching videos by Naoto Matsumoto
Read Yama Uba the Zen play to find out how Zen works!

34. Tao's state

[Chapter 34 / English Translation] - click the line to watch the related video.
Big Tao is like flooded water, going left and right, and all over.

Thanks to Tao, everything appears. It doesn't exclude anything.

Tao accomplishes its tasks and has no name.

Tao loves and raises everything, but doesn't try to be its master.

Tao never has any desire, so we can name it Small.

All go back to Tao, but it doesn't try to be their master, so we can call it Big.

Therefore, the sage can achieve this Big because he never tries to be Big. Thus, he can achieve this Big.


Rapid Decoded
Tao is omnipresent. You find it at any part of the world (=your hologram).

The fundamental energy Tao creates your hologram. Everything is a manifestation of Tao. That's why we must not judge any. Accept all as they are.

Tao's task is to exist. To do so, it needs the constant recreation of itself. To describe this, we use the metaphor of Yin Yang circle. The world is a hologram, which is a catalyst to keep the circle (=Tao the fundamental energy) turning around. The thing with a name belong to the hologram. Tao doesn't. It refuses any name, even the name "Tao".

Tao is love. They are two names for the same energy. This energy creates itself constantly. "Everything" in the world is a hologram and catalyst, which Tao "raises" in order to stimulate itself for its constant recreation (=reincarnation). Nevertheless, Tao doesn't control your hologram. It is just its source. You are the one who controls your hologram, and are part of it.

Tao doesn't have any idea, not to mention intention. It is not something like destiny that controls your life. Tao is the fundamental energy. You use the energy to project your hologram (=the world), so you are the one who creates your destiny. In this sense, Tao doesn't have the least control over anything, so let's call it Small.

"Everything" is your hologram, which comes out of Tao. Having accomplished its task as a catalyst to stimulate you to emit more of the fundamental energy (=Tao, =Love), your hologram goes back to Tao, where everything is in the state before it has a form. It is kind of a neutral state. It is the chaos that is the origin of everything, where even time and space don't exist. Tao includes all, so let's call it Big.

Therefore, you can be one with Tao by never trying to be one with Tao. This explains very well why one cannot achieve Satori while he retains the wish to do so. If you understand how Tao functions, it is easy to be one with Tao. By not having any intention to control anything, you can minimise your resistance. Then the transformation of your hologram will be accelerated to the maximum. Your "self", which is a hologram, will go back to Tao, where everything is in the state before it is projected.


Videos

- 34-1 Flooded water
- 34-2 No exclusion
- 34-3 Tao's task
- 34-4 Love = Tao
- 34-5 Small
- 34-6 Big's chaos
- 34-7 Achieve Big


[Related Articles]
-Manifestation. Tao turns around like a prayer wheel in a Tibetan templs.

-Big's image. Big is a nickname for Tao.


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Read Yama Uba the Zen play


☞Who do you think is the best novelist ever in Japan? Some might say Murasaki shikibu 紫式部 (Lady Murasaki) who wrote «the Tale of Genji 源氏物語». Other might say Yukio Mishima 三島由紀夫, the author of fantastic «Spring Snow». Haruki Murakami 村上春樹, the author of «Norwegian Wood», is an up-and-coming star in Japanese literature. It is a question without one definite answer. So, let's ask ourselves another question. Which Japanese novelist would you miss the most if he or she had not written any works? My personal answer is Yasunari Kawabata, and I think that many admirers of Japanese literature share the opinion.
 
Key Words
 1. Tao

 2. Hologram

 3. The floating world Ukiyo

 4. Play

 5. Gate

 6. Dark Depth

 7. Dark Depth Female

 8. Do nothing

 9. Body soul and Spirit soul

10. You and non-you

11. Yin Yang circle

12. No judgement

13. Resistance

14. Satori

15. Act without acting

16. Colour

Help Wanted
-"Is a geisha truly a p,.........?"

  No, it means "artist", literally. She
  is an artist of the Taoist way of
  living.

-"What Does Nintendo mean?"


-"Frustrated?"


  Why don't you think the other way 
  round.       

-"I am not happy about how I look."

  There are a few things to think
  about.

-"Are you scared of seeing your
  reports?"

  To forget about statistics.


☞Once the Japanese word Geisha 芸者 was a pejorative. After Kawabata's invention of the heroine Komako 駒子, the word has gained some divine power. Komako the Onsen geisha 温泉芸者 (hot spa geisha) is the symbol of the pure and, therefore, sacred womanhood in the collective consciousness of many Japanese and non-Japanese. "Not all the Japanese, though", I have to admit. Mishima might have preferred a samurai boy to a geisha girl. Murakami may fancy a glass of Dry Martini with the author of «the Cather in the Rye» more than having Sake with Yasunari Kawabata, served by a Komako at a onsen ryokan 旅館 (Japanese style inn) in the snow. But look at young Japanese boys hanging around in Akihabara who adore girls in a Maid cafe or a Costume Play cafe. Aren't they looking for a modern Komako in a fantasized costume? Thank you, Mr. Kawabata. We are very glad that you wrote «Snow Country / Yukiguni 雪国».

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